Description

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This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works.

About the Author

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Simon D.I. Fleming holds a PhD in music from Durham University, and formerly taught in the Department of Music. He is currently Head of Music at the Queen Elizabeth Sixth Form College, Darlington, UK.Martin Perkins holds a PhD from the Royal Birmingham Conservatoire, Birmingham City Unveristy, where he lectures in music history, theory, and performance.