Description

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S ren Kierkegaard is well known for his claim that human life is marked by three existential spheres -- the aesthetic, the ethical, and the religious. In Bob Dylan and the Spheres of Existence, Christopher B. Barnett argues that Kierkegaard's theory provides a key interpretative lens through which to evaluate the songwriting of Bob Dylan.

About the Author

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Christopher B. Barnett is professor of theology and religious studies at Villanova University.